Well team, welcome to the new year. We hope you had wonderful holidays full of family, friends, and fermented grapes and pomegranates to welcome in 2016. We have so much to look forward to this year, but before we start planning for the days ahead, we want to give out a huge congratulations to everyone for making 2015 a phenomenal introductory year. Continue reading
Dear HAYP followers,
We have great news on this cold and grey Tuesday… Yesterday, HAYP Pop Up Gallery was officially registered in Yerevan, Armenia, as an arts NGO!
From October 28 to November 1, HAYP Pop Up Gallery took over the Yerevan-Gyumri train with an art installation and a series of performances. One of those performances was an original project put together by Nairi Hakhverdi, titled “Literary train” (Stories from the 1920s).
This article was originally published on Civilnet.am on November 26.
Three weeks ago, an artist from Stuttgart decided to perform an unexpected artistic and social experiment on the Yerevan-Gyumri train. Barbara Karsh-Chaïeb had been doing an artist residency at AKOS for a little more than two weeks when she heard about HAYP Pop Up Gallery’s exhibition project on the train, and decided to get involved.
Provocative, eccentric, and playful- always controversial, never indifferent. This is how I would describe the work of Yerevan born artist, Samvel “Saga” Saghatelian.
“Enter Through The Smoke Shop” marks HAYP Pop Up Gallery’s fifth exhibition, our last of 2015 (more to come next year), and our first solo artist show.
Creating “In Motion”
A few months ago, Anna had the crazy idea of setting up an art installation in the Yerevan-Gyumri train. Last week, we finally did it!
HAYP pop-up gallery is seeking artists to be a part of a traveling installation on October 29, 2015. The site of installation will be the interior of a South Caucasus Railway passenger car. The train will depart from Yerevan Station at 8am and arrive in Gyumri at noon. We seek artists of both visual and performing arts. The artist(s) must assist with the installation and disassembling of the work(s). The length of the installation will be announced in the near future but could range from seven to ten days.
We will allow visual artists to propose a variety of mediums for this project; performers may also explain their concepts. Both must keep in mind the physical and timely constraints of the train.
“In Motion” plays with the transitional state of our context: the train. A train is always between places, and the installation itself should reflect the transient state of time and place. We encourage artists to propose installations that are interactive, and show the passage of time through people’s engagement with the art. Maybe they can leave something behind or take something with them…? We are open to your ideas!
- To get a better idea of the space you’ll be working in, have a look at our wagon maps: (1) Aerial View, (2) Elevation view / Side view, (3) Wagon entrance.
- Deadline for submissions will be October 20, 2015.
- To apply, please fill-in our online application form.
- For additional information contact us at email@example.com
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Our third art exhibit “The Scale of Life” finished last week, on September 7.
After having installed and removed dozens of spotlights, hanged and unhooked the artworks, and organized 5 events over 10 days of exhibition, you might think this should now be holiday time for us… but it isn’t – the HAYP Team is on the move again!
Last week, after (well-deserved) celebration following the end of the exhibit, we were already on the lookout for new locations, and actively planning our next exhibition.
But before we go on and announce our upcoming project, let us first give credit where credit is due: none of our HAYP shenanigans would be possible without the help and support of so many people around us.
From the very beginnings of HAYP, we were lucky enough to collaborate with like-minded people who helped us pop up around Yerevan. For this exhibition in particular, we teamed up with DZOOK Pop Up Restaurant on our opening night – they provided a delicious culinary experience for our guests through a special fish tasting that was in perfect accordance with our exhibition theme inspired by water and its mythical creatures. The degustation was paired with a variety of delicious white wines, courtesy of Karas wines.
It was also amazing to work with Yerevan Residence. Irina and Nvart from reception were always helpful and smiling, occasionally even providing coffee during much needed work hours! Obviously, transforming empty penthouses into trendy art galleries is what we do, but the EL media team also took wonderful photos of our opening night, and will feature us in their bilingual “El Style” magazine this month. Exciting!
For the third time in a row, The ScREenery generously lent us their projector and hosted a film event in our space. The Luys Foundation team was kind enough to lend us dozens of chairs for the whole duration of the exhibit.
Thank you also to Green Bean, Artbridge, and Calumet for helping us sell and distribute tickets to opening night.
Seven artists re-interepreted the vishap with different approaches and media – Melissa Finkenbiner, LUSKA, Félix Romanos, Moushegh Mkhitaryan, Avetik Vardanyan, Hrachya Vardanyan, and Alice Dunseath. Thank you also to ARLOOPA for generously sponsoring their programming work that added tech to LUSKA’s amazing mural. This was a definite hit at opening night, along with the electronic music performance by Joseph Zakarian, our special DJ from Amman who generously contributed to our project.
During our event week, the performers each brought a new crowd to the gallery, and helped interpret the exhibition from different perspectives – an archeology talk, an avant-garde theater performance, contemporary dance, and sound installation…
On Wednesday, Armen Martirosian gave a concise talk about pagan Armenia during the Urartean period, before engaging in a conversation with the public. He showed us the amazing artifacts he and the archeological team have been discovering at the site of Karmir Blur… and probably stirred up a few archeological vocations right then and there.
On Friday, Aram Atamian presented “in her plenty”, a solo theater performance that left many spectators with their jaws floored… among other limbs, because with nearly 100 people attending, we couldn’t secure seats for everyone.
We were so awed by Aram’s poignant, witty performance that we decided to run it again the next night. This time around the vibe amongst our smaller group was more intimate, leading to a spontaneous talk-back with the performer who explained how he came up with the idea of mixing Shakespeare, gay chat-roulette and Beyoncé in one piece.
Caution: below video has adult content.
We hosted a very special performance on Monday for our closing night. On the rooftop of the gallery, BA-AR-DIA Dance Studio (and therapy) performed a contemporary piece choreographed by Hasmik Tangyan, with a sound installation by LSD. The result was an eerie, beautiful show, with Mount Ararat and Yerevan sunset-lit roofs as a background.
We were happy to get media coverage for this event. CivilNet.am filmed the whole performance and interviewed our curator Anna K. Gargarian, along with the choreographer, Hasmik Tangyan, and the head of ICA Yerevan Nazareth Karoyan.
Our core support network – volunteers, friends, family
As we set up the exhibition and organized the events, we relied heavily on an extended network of dedicated volunteers… and our loved ones who gently got drafted for HAYP.
The amazing Liana Dashyan and Lusine Vardanyan translated our exhibition materials (wall text, wall labels, press release and social media) from English to Armenian. Anna Hakobyan, Mary Hakobyan and Nairi Khatchadourian also helped with occasional translation issues- thanks!
Our friend Lilit Markosian (one of the first HAYP artists, from the exhibtion “Frame of Mind”) created beautiful graphics for our event PR.
For photography, a warm thank you to our dear friend Karine Vann for her work on opening night. Also thanks to volunteer students Helena Grigoryan, Isaac Bulanikian, Alexandra Bejanyan, and Gugo Tadevosyan from Chantal Terzian’s art class for their assistance.
My sister Sévane Poulain filmed all of our events with her camera, and prepared a video montage of the whole exhibition. Also for filming, thank you to Areg Kozmoyan, Lucine Bekaryan and Peter Liakhov for recording Aram Atamian’s performance.
Several other friends like Garni & Arbi helped out in many ways, big or small. Carrying artworks, chairs, tables, lending electric teapots, buying us coffee, putting up the HAYP signs along the road to Yerevan Residence. For all this, thank you janiks!
Last but not least, we’d like to extend a warm-felt “thank you” to our network of fans: those who never miss an exhibition, who invite their own friends and family to join, share our projects on social media and give us great feedback.
We are also very happy that so many of you noticed the latest art addition to our gallery. It’s a contemporary art installation highlighting the neo-liberal and ecological tragedy of our times: oceans being emptied of their magical creatures (water dragons, vishaps and other goldfish) to be filled, instead, with money. Seriously, thanks for giving some love to our new homemade donation fishbowl – we greatly appreciate!
Sad to say goodbye to this exhibition? You don’t have to! We’ll pop up again soon, and in the meantime, you can get a limited edition print of Luska’s mural, signed by the artist, to bring augmented reality to your home! Available in medium/large size at respectively USD 50 and USD 150. Contact us at firstname.lastname@example.org!
Charlotte Poulain & Anna K. Gargarian