by Charlotte Poulain
Last weekend, the HAYP team traveled to Gyumri – Armenia’s second largest city, described by many as the country’s historical cultural capital.
by Charlotte Poulain
Last weekend, the HAYP team traveled to Gyumri – Armenia’s second largest city, described by many as the country’s historical cultural capital.
You may have been wondering what the HAYP Pop Up Gallery team has been up to since our last event in September, “LOVE (ICA) Is electrIC Again”. For the past two weeks HAYP curator and executive director, Anna Gargarian, traveled stateside for work (and a little bit of play) to Boston and New York. Here’s an update by Anna as she reflects on the highlights from her trip:
My time in New York was brief but intense. Although neighborhoods and loci of activity shift, the beauty and awesomeness of the city never change. What stood out from my trip were two very different, but equally interesting museums: The Cooper Hewitt Museum, and the Museum of Art and Design (MAD).
The Cooper Hewitt re-opened its doors in 2014 at its 5th avenue location, the 64-roomed Andrew Carnegie Mansion; its home ever since 1976. The museum’s historic architecture offers a stark contrast to the touch-screen tables, large-scale projections, and personal design “pens” that allow visitors to engage with historic and contemporary design objects in a unique and interactive museum experience.
Tapping the back of your individual “touch pen” to the description of an object allows you to “save” the object to your personally curated collection of online images. The tip of the pen allows you to draw, select, and play on the tables located at the center of the mansion’s main atrium and corridors. Visitors are invited to make and save their own designs inspired by various objects from the collection.
The MAD museum was originally founded in 1956 under the name the Museum of Contemporary Crafts. In 2008, the museum reopened under its more catchy name, MAD (the Museum of Art and Design) to embody a broader spectrum of interests that include design, crafts, and artisanal practice, but also architecture, fashion, technology, interior design, and the performing arts. Personally, what stood out was the museum’s display of traditional, artisanal “crafts” (something you’d imagine your grandmother making) in a bold, fresh, and contemporary way. Also unique to this museum is that it not only exhibits works, but also gives you insight into the process of craft making with its open studio artist residencies.
I loved the exhibit “Toxic Seas” by artists, Margaret and Christine Wertheim and the Institute For Figuring. The exhibit featured large-scale crocheted coral reefs that often incoorporated bits of plastic and reusable materials as a commentary on the pollution we produce and its effects on the marine environment.
Also noteworthy, the individual pieces were collectively crocheted by women from all over the world who contributed sections of the work. The feminist undertones of elevating what is traditionally “women’s work” to the museum gallery is an added plus. Each artwork wall label included the names of each contributor and her country of origin. This reminded me of our own feminist, “Craftivist” group in Armenia, “Free the Needle”. Maybe they should get involved? Just a thought…
Another surprising exhibit was artist, Chris Antemann’s, “Forbidden Fruit”, a collection of risqué ceramic figurines inspired by 18th century ceramic decorative arts. Although I’m not usually partial to the ceramic arts, Antemann’s keen sense of humour, brilliant use of form and color, and her masterful use of a “high society” decorative objects to show “debased” and provocative subject matter were completely engaging and charming. I will think twice before judging ceramic figurines in the future…
Of course, New York City wouldn’t be complete without some late night adventures with old friends….. so this happened in an abandoned factory somewhere in Brooklyn:
While in my home state of Massachusetts, I travelled westward to Great Barrington (about 2 hours west from Boston) to meet Suzi Banks Baum, the artist I had been Skyping/emailing/facebook messaging for the past three months in order to design and coordinate the upcoming HAYP project, “New Illuminations”. I’ve mentioned Suzi and our project before, but I hadn’t actually physically met her until last week! And what a pleasure…
Suzi is a book artist among many other things. That is, she makes handmade artist books and has been teaching book binding techniques (including coptic stitch binding which she’ll teach at our workshop this November) for many years. For Suzi, handmade books are a unique tool and means of expression for writing, illustrating, and most of all story telling. We are in the process of fundraising for our 4-day workshop and 10-day exhibition in Gyumri this November (donate here!). And another bonus of this visit, I got to reconnect with Dana Walrath, the artist I worked with to curate “Mapping Identity: Figures, Borders, and Nations” for AGBU Exhibitions in Yerevan.
Next in Massachusetts was my attendance and participation at the AIWA 25th anniversary conference, a truly amazing three-day event of inspiring talks, presentations, and conversations with women leaders from the US, Armenia, Turkey, Argentina, Lebanon and more. We even had a few celebrity speakers (always fun)!
Panel discussions were divided by category including: Global Leadership and Women, Arts and Entertainment, Entrepreneurship and Business, and Leaders in Politics. Keynote speakers included Linda Hill from the Harvard Business School (one of my favorites), Seline Dogan from the Turkish Parliament, Maro Martirosian of Armenia’s Women’s Resource Center, and Katherine Sarafian, longtime producer at Pixar Animation Studios.
Re-occuring themes in the talks were: implicit bias and gendered perspectives, approaches to leadership, how to “break the silence” and empower women leaders, and various tools for leveraging one’s skills and how to be an effective leader.
The speakers were many, and inspiring, and HAYP Pop Up Gallery was thrilled and honored to be a part of the conversation as a member of the “Business and Entrepreneurship” panel. Co-panelists included Hasmik Asatrian-Azoyan of Basen hotels in Sisian, Juliana Del Aguila of Karas Wines, and Vera Manoukian of Starwood Hotels. Our dynamic panel addressed questions like: 1) What are your biggest challenges, and how have you overcome them?, 2) What specificities are unique to your industry? etc.
The AIWA conference ended with a deluxe Gala, complete with awards, inspiring speeches, good food, and dancing. Below is a (blurry) picture from the evening.
And of course my trip to the states wouldn’t have been complete without a visit to an artist studio…. introducing: Marsha Nouritza Odabashian.
Marsha is among the many artists who inhabit Boston’s South End artist district. The space itself was invigorating: a large open studio on the fifth floor of a typical Boston “brown stone” building. Her studio mates include an Italian painter, and an American costume designer and tutu-maker.
Marsha works in oil paint, ceramics, acrylic, and other experimental media and uses just as wide a variety of surfaces for her works, including all types of paper, sponge, canvas, wood and more. Her work explores identity and shows reoccurring motifs of flora and fauna (based on reality but often times distorted into fantastical elements), figural processions, and sewing needles (a commentary on woman’s work that underlies the tool’s dual function as weapon).
If you haven’t already noticed, Marsha’s body of work is highly inspired by Armenian manuscripts….so of course a bell went off in my head for HAYP8.0’s “New Illuminations- Codex”. Let me just say that my suitcase back to Yerevan was slightly heavier than when I left…. (hint, hint).
Coming up in Great Barrington, Massachusetts is our fundraising event for “New Illuminations”, hosted and organized by artist, Suzi Baum. The fundraiser will be on October 25, 2016 at the Elixir in Great Barrington. Come and join Suzi with an open heart (and an even more open wallet) to learn more about the New Illuminations project.
Meanwhile, in Yerevan the HAYP team will be moving forward full-throtle to find an exhibition space and key partnerships with experts and collaborators in Yerevan and in Gyumri. More coming soon!
Keep checking out the hype with HAYP Pop Up for news on this and many more projects.
by Charlotte Poulain
As you may have noticed, HAYP hasn’t been popping up all that often in 2016. Our first project this year (and biggest to date) was Lips of Pride, a collective exhibit focused on women’s sexuality and societal perceptions of shame in Armenia. We haven’t been idle since: we organized an aerial dancing performance by Marcela Perez at 44 SkyBar in June, as well as a full day workshop with HARTAK festival on how to test your business idea with a pop up.
At the same time, we’ve been working on several projects that will come to life this fall and next spring. Anna’s also been invited to talk about art and entrepreneurship at AIWA’s 25th anniversary conference in Boston this September (‘cause she’s fabulous). Bostonians may even expect to see a pop up in their neighborhood for the occasion (more details coming soon).
…And now the awesome news is: HAYP Pop Up Gallery is back this summer with a major event this Friday! (Facebook event here)
This time around, we’re working in collaboration with the Institute for Contemporary Art (ICA). For those of you who don’t know it yet, the ICA is a Yerevan-based institution that offers art classes, hosts artists in residence, and curates exhibitions. Their venue on Fizkulturnikner street recently underwent renovation, so their Director and Curator Nazareth Karoyan decided a mural was in order, and they commissioned Yerevan-born artist Samvel Saghatelian for the job.
Back in November, we had worked with Samvel to curate a solo exhibit in the secret back room of a vape shop called Misty Fumes. The exhibition was titled “Enter Through the Smoke Shop” and presented Samvel’s “PolitIcal and Personal Protest signs”, a series of graphic sign boards playing with Latin and Armenian letters. Perhaps the most iconic of these works was “LOVE is electric Է”, created by the artist in June 2015 at the time of the Electric Yerevan protest.
The mural at the ICA is a scaled-up elaboration on that work. Just as this year’s protests have grown in intensity, Samvel Saghatelian’s demand for love has multiplied in scale from hand-held sign board to the entire building facade. Because it deserves to be inaugurated in style, HAYP Pop Up Gallery and the ICA have joined forces to curate the second edition of Samvel Saghatelian’s “Political and Personal Protest Signs”. If you didn’t get to see his works in November for HAYP 5.0, now’s your chance!
Join us for “LOVE ICA – is electrIC Again”, the mural’s public inauguration and a HAYP exhibition opening on Friday, August 26 at 7PM, at the ICA (Facebook event here). Wine and music can be enjoyed in the ICA’s garden, and in front of Samvel’s larger than life artwork. Don’t miss out!
48 Fizkulturnikner Street (at the end of 5th st in Aygestan district of Yerevan behind Alek Manukyan st).
Last Sunday, July 3rd, people flooded (pun intended) the streets of Yerevan with buckets, water-guns, water balloons, and other “water artillery” in-hand, ready to splash passersby for Vardavar. Vardavar is an Armenian holiday that stems from pagan origins, originally celebrating fertility, good crops, and the goddess Astghik. Today, it’s just an excuse to shower strangers with water and playfully cool off from Armenia’s powerful heat. It gets intense, and there’s definitely a lot of unfair play that borders on being dangerous, like people getting thrown into the not-so-deep swan lake (sounds like fun – until you break a limb). You either love it or hate it, and for the haters…it’s recommended to stay indoors.
For the first time, Armenia’s beloved TUMO Center for Creative Technologies organized a Vardavar event on its surrounding grounds. TUMO’s park and fountains were transformed into a one-day water park for kids and adults alike to celebrate Vardavar with a creative edge. The event theme: a Vardavar GIF day. TUMO invited several companies and organizations to design and set-up their individual game-stands that would engage participants. Each stand was also handed a waterproof iPad so that they could document the action with a GIF. Impact Hub had a large water slide, DEEM communications had an old-school car wash etc.
HAYP was also invited to participate, and we contacted artist and architect Sona Manukyan to collaborate on a potential water-themed installation piece. We designed several proposals, but in the end, time and funding were too short to carry out the project as we saw fit. Regardless, we spent a lot of time putting together some ideas, and we thought we’d share with you our renders and concepts. The area we selected was the TUMO cement bus stop at the park entrance. Here are the ideas we came up with.
This installation had several sources of inspiration. While thinking of water and its cleansing properties, we thought of a work that would send a powerful and positive message concerning the environment. We thought of the transformative properties of water, and also the dire state of pollution in Armenia. The result: a hovering white form within the bus stop frame that from afar would look like a cloud, and from up close, would reveal hundreds of suspended individual objects. On one side, we envisioned droplet-like shapes that would hang from transparent fishing-line string. The materials of these shapes would be white plastic bags, metallic cans, and other white, translucent and/or reflective reusable materials. On the other side, a series of suspended crystals would capture the surrounding light and give the illusion of rainfall or water droplets.
Conceptually, the cloud shows a transformation of “trash” into crystals, in other words the potential for positive change as well as a subtle reference to the economic potential of a green economy. From an experiential perspective, some of the hanging items would be white water balloons, and we hoped that people would play beneath the cloud and pop some balloons.
This installation idea utilizes the same location, but features a series of zig-zagging twisted blue sheets of cloth that would connect one side of the bus stop to the other. From a distance, the colorful labyrinth of blue, turquoise, and white cloth intertwined intends to give the illusion of a splashing waterfall or misty haze.
From an experiential perspective, the maze was intended to be a game in which kids could climb through and over the cloth. The type of material that we were going to select would have been spongy and absorbent, so that as the structure would get wet from the surrounding fun and games, the sculpture itself would begin to drip as an extra effect.
In the end, our collaboration was postponed for technical reasons that were mentioned earlier. HAYP is all about having fun, but also while maintaining our mission for supporting and encouraging contemporary art and artists. We simply felt that with the amount of time we had to plan and build, we wouldn’t be able to uphold our standard for quality product and work. Regardless, TUMO Vardavar was a successful day of fun and games for kids and families who enjoyed a new twist off of a long-standing local tradition.
Dear HAYP followers,
We have great news on this cold and grey Tuesday… Yesterday, HAYP Pop Up Gallery was officially registered in Yerevan, Armenia, as an arts NGO!
From October 28 to November 1, HAYP Pop Up Gallery took over the Yerevan-Gyumri train with an art installation and a series of performances. One of those performances was an original project put together by Nairi Hakhverdi, titled “Literary train” (Stories from the 1920s).
This article was originally published on Civilnet.am on November 26.
Three weeks ago, an artist from Stuttgart decided to perform an unexpected artistic and social experiment on the Yerevan-Gyumri train. Barbara Karsh-Chaïeb had been doing an artist residency at AKOS for a little more than two weeks when she heard about HAYP Pop Up Gallery’s exhibition project on the train, and decided to get involved.
A few months ago, Anna had the crazy idea of setting up an art installation in the Yerevan-Gyumri train. Last week, we finally did it!
By Anna K. Gargarian
Some of you may have been hearing the buzz about FLOW, HAYP’s summer project by lake Sevan. Although it was originally planned for 2015, the project will take place next summer of 2016. Why? We’ve received so many interesting proposals for collaboration by artists and musicians alike that the project has grown from a one-day event to a three-day festival. Instead of rushing things and doing a watered-down version of the project, we decided to dedicate the proper amount of time to plan and budget the FLOW we really want to see take place. What, you may ask, is this FLOW we envision?
FLOW is a three day cultural festival that includes: a temporary site-specific installation, three days of performance (dance, theater and experimental shows), and two evenings of concerts featuring local and international musicians. The unique location, Port Ayas, is a coastal campsite on Lake Sevan near Shorja village. It offers a stunning landscape for artists to work with, and an amazing experience for guests to explore art, grab a bite, take a swim, and even spend the night camping. What’s more, docked at Port Ayas is Cilicia, the legendary wooden sailboat that traveled across Europe (it took two years), and that is modeled after the historic 13th century merchant ship from the Cilicia Kingdom. The vessel measures 20m long, weighs 50 tons, and was entirely constructed from shipbuilding techniques found in medieval manuscripts.
The theme, FLOW, is inspired by water: it’s movement, sound, and symbolism. Water has long-been a source of creative inspiration. We invite artists to explore this theme through various media: painting, photography, installation, sculpture, video, sound…. whatever floats your boat (pun intended).
Here are some examples of works we like from around the world that have served as inspiration for this project:
We’ve been working hard these past two months securing the location and figuring out logistics. We’ve brainstormed with beloved local band (gone international) BAMBIR, as well as emerging musical and visual artist Raffi Semerdjian and his band Palm of Granite.
We’ve been Skyping with internationally renowned Armenian artist, Kevork Mourad (Syrian-born, New York-based painter, film-maker, and performer), and sketching and engineering large-scale sculptural works with local artists and chemists (yes, that’s right…chemists…you wait and see!).
If you’re interested in getting involved, don’t hesitate to contact us. We will put up a call to projects this month with more information on how to be a part of FLOW- LAKE SEVAN 2016.
Stay tuned for what’s happening this month with HAYP! We’re combining forces with a new local Pop-up Restaurant lead by Victoria Aleksanyan and Arine Aghazarian to bring food and art together for a full experience of the senses. More information coming next week.
Take a look at our official list of Events from April 17-27 at our gallery at the ArmAs showroom at Abovyan 2/5 and other locations throughout Yerevan.
Download Event Week program: HAYP_EventWeek