Gayane Barkhudaryan is a visual artist, lecturer at the Terlemezyan College, and art conservator based in Yerevan, Armenia. She is our featured artists this week on the HAYP/IN SITU “Virtual Viewing Room” platform, a space for online artworks from June 1 – August 2, 2020. In this interview, we learn a little more about her photographic contemplation “An Observer’s Look at the Creases”, and what inspires her as an artist. Scroll down to the very bottom for a complete bio.
HAYP/IN SITU: Tell us about your VVR project, “An Observer’s Look at the Creases”:
Gayane Barkhudaryan: This project has a direct connection to my studio/bedroom, where I live with my subjects and two easels. I start in front of my easel, then I find myself on the floor, and then at my pillow as I search… That’s how the idea for “An Observer’s Look at the Creases” came about. The objects and photos are rearranged in the room and in my head, leading me to the creases of the Tolors reservoir.
Artist statement about the project:
“The creases are a place – a water reservoir- where every aspect is reconfigured during the basin’s flooding and drainage. Vast surfaces are layered underground, born of multiple fluctuations․ The golden folds continue to coagulate, decompose, and reimagine new surfaces. The observer (me?) takes comprehensive and scattered memories from the place, revived in the form of a photographic review. From the patterns of nature to images that take on new meaning, how is it that we first artificially disrupt a landscape, and then struggle to resuscitate it, again through artificial means…?“
HI: How does this relate to your artistic practice?
GB: My practice is about looking at imaginary images and reality from different angles. This project helped me to once again reconsider the relationship between man and nature. Sometimes we value artificial nature more than nature itself, I am in favor of the idea that we should leave nature alone.
HI: Who/what inspires you?
GB: People, nature, architecture, sculpture, almost anything can inspire me. For example, when I’m working on several different creative processes in parallel, it already occurs to me how I can combine their differences to create another work. I love that sequential and complementary creative process, which allows me to continuously review and revisit my work. Specifically in relation to this project, nature was the inspiration. In the [Tolors] reservoir basin, we see repetitive waves, contours and the arrangement of successive and complementary soil layers.
HI: What does confinement mean to you? Have you (re)discovered something during this time?
GB: Restriction is an attempt to reconcile oneself, to adapt, and to rediscover old wounds.
HI: When you’re not making art, what do you enjoy the most?
GB: In my free time, I like to visit other cities in Armenia [outside of Yerevan] in search of tasty new visual images: Soviet-era curtains, fabric patterns, dishes, posters ․․․․etc.
HI: If you had a magic wand, and could change one thing about the art scene in Armenia, what would it be?
GB: Maybe to restore our senses – to more sincerely feel, listen, and see ․․․
HI: What is your dream project that you haven’t had a chance to work on yet?
GB: It’s more a wish than a dream. I would love to travel with other artists – go on walks through small towns, and infect them with art.
About Gayane Barkhudaryan
Gayane Barkhudaryan is a visual artist who lives and works in Yerevan. She studied fine arts first at the Terlemezyan Art College, followed by the State Academy of Fine Arts of Armenia (Yerevan) where she has a Masters in Painting. She mostly works with painting, illustration, and print media and is inspired by ancient forms and motifs as seen in architecture, textiles, and the natural landscape. Gayane has exhibited at numerous institutions in Armenia, including exhibitions at the Artists Union, the Armenian Center for Contemporary and Experimental Art (ACCEA/NPAK), the Terlemezyan Gallery, the Albert & Tove Boyajian Exhibition hall, HAYP Pop Up Gallery, and Gyumri’s Still Gallery. She was also featured at the Lucy Tutunjian Art Gallery in Beirut. In addition to her work as an artist, Gayane is a lecturer at the Terlemezyan College, and works as a conservator at the Research Center of Mural Conservation.